Wednesday, May 25, 2011
Sunday, May 22, 2011
Agra
Labels:
Agra,
India,
indian tourism,
love,
People,
perspective,
ritesh kumar photography,
Street,
street photography
Thursday, May 19, 2011
Rishikesh
Labels:
India,
Indian Bazaar,
indian tourism,
People,
Rishikesh,
ritesh kumar photography,
sari,
Street,
street photography
Tuesday, May 17, 2011
Jaipur
Labels:
India,
indian colors,
indian tourism,
jaipur,
People,
ritesh kumar photography,
Street,
street photography
Sunday, May 15, 2011
dilli haat
Labels:
Dilli Haat,
India,
Indian Bazaar,
indian colors,
indian tourism,
ritesh kumar photography,
Street
Thursday, May 12, 2011
framing framed frames
This series in process, tries to observe the dynamics of photography in third person where the photographer and his/her subject are perceived on the same plane. Narration of typical photographic situations so as to make a visual commentary on notions of posing, body language & related gestures of both - the photographer and the subject. The idea is also to understand the active and passive participants in a photo shoot and challenging their roles in context of a given frame.
Labels:
black and white photography,
funny pictures,
People,
ritesh kumar photography,
sari,
self portraits,
Street,
street photography
Wednesday, May 4, 2011
more in thought than in things
"more in thought than in things..." is a series of assorted images captured over the span of 8 years (1999-2007) in India, Italy, France, Germany, Netherlands, United Kingdom and Switzerland. The series revolve around the instinct of assumptions. Ideas we see, seek and construct in images. We interpret light, shadow, texture, shape, lines & subject within the obvious and beyond. All the titles in the series are sub-grouped to indicate a narrative based on multiplicity of conception, syntactic nomenclature and ways of seeing. Assumptions range from meloncholy to humor & literality to irony; as understood individually in shades lying between black and white. Subjects vary from people, urban & rural landscape, nature, objects, portraits & abstracts. The emphasis is on the semiotic translation of imagery, graphic quality and old school emotional appeal. Extempore equipment including point-and-shoot, mobile phone, 35mm film and digital single lens reflex cameras have been used for the images which highlights content & questions dependence of present day photography on pro-gadgetry.
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