framing framed frames

This series in process, tries to observe the dynamics of photography in third person where the photographer and his/her subject are perceived on the same plane. Narration of typical photographic situations so as to make a visual commentary on notions of posing, body language & related gestures of both - the photographer and the subject. The idea is also to understand the active and passive participants in a photo shoot and challenging their roles in context of a given frame.

3

Group three explores synonyms and antonyms with hints of homonyms. Visual story with literal meaning and metaphors comment on ambiguity of language and personal understanding of in your face facts. Meaning stands independent, from each one of us, irrespective of what we see, read and feel. An attempt to push limitations of optical syntax and understand objectivity of communication.

4

Group four says what I think. It will say to you, what you think. The images, without our thoughts, are meaningless. They are not even decorative.