1

The first group speaks the language of verbs and punctuation marks. It is a loop of possible emotions evoked by the imagery, as rendered by the presence of anonymity, absence of detail, sense of void and poetic solitude. There are intercepts to the flow of narrative with breathing space and exploration of common and not so common punctuation marks. These intercepts are combination of two images suggesting dual meaning ranslation; like an exclamation mark which suggests the idea of exclamation!

3

Group three explores synonyms and antonyms with hints of homonyms. Visual story with literal meaning and metaphors comment on ambiguity of language and personal understanding of in your face facts. Meaning stands independent, from each one of us, irrespective of what we see, read and feel. An attempt to push limitations of optical syntax and understand objectivity of communication.

4

Group four says what I think. It will say to you, what you think. The images, without our thoughts, are meaningless. They are not even decorative.