2

Group two is seriously non satirical. Images explore subjects with a visual predicate and vice versa, as a mean to comment on social concepts. Religion suggests association with or without the consent of subject. Profession tries to define the character of subject in diverse predicate and work climate. Progression underlines the relevance of diminution vis a vis magnitude and subsequent change in perception for living and non living. Discretion acknowledges and respects the preference for tea or coffee.

3

Group three explores synonyms and antonyms with hints of homonyms. Visual story with literal meaning and metaphors comment on ambiguity of language and personal understanding of in your face facts. Meaning stands independent, from each one of us, irrespective of what we see, read and feel. An attempt to push limitations of optical syntax and understand objectivity of communication.

4

Group four says what I think. It will say to you, what you think. The images, without our thoughts, are meaningless. They are not even decorative.